.comment-link {margin-left:.6em;}

Image hosted by Photobucket.com

my own fortress of solitude from the world outside my mind / the last refuge from the manitoban inquisition / a long way from tupelo / and a little fall of rain

Starring mojo shivers, male, single, CA
"It's only doubts that we're counting on fingers broken long ago"
co-starring breasier, female, married, GA
"More than a woman, more than a woman to me"
cameos by delftwaves, female, single, IN
"So faith hits me late, if at all"
with a cavalcade of guest stars

Thursday, April 26, 2007

Time Can Take Its Toll On The Best Of Us, Look At You, You're Growing Old So Young

--"Heart", Stars

I was kidnapped real young by the sweet taste of adventure. Ask anyone, I was a real hellfire when I was younger. I don't know exactly what the allure was. Adventure just became me. In my head I always thought that I was a good girl--listening to my parents (despite my better inclinations), well-mannered and graceful, and never really prone to the whims of fancy that my friends seemed fond of. Yet despite this self-image I possessed, the perception had always been that I was a troublemaker, wicked beyond redemption.

To misquote the poetess, you say I choose trouble, that it has never once chosen me. I don't think that's entirely honest. Hell's bells, Lord knows I've always had the right intentions in every bit of trouble I've ever raised.

----

Ever since I was young, my daddy has kept this beat-up, raggedy old white pickup that seemingly is running on apparent sheer will and wishful thinking. I don't know why he keeps it around. I suspect it's for sentimental reasons. What's important is that from the day I was born it has always been a point of comedy at the accomadations we must make for it. Like most houses, my parent's garage only housed two cars, my mother's volvo and my father's king-size truck. Aside from that, they've owned a mini-van and different varieties of luxury sedan at various points of my life. Three cars. Then there was that white Ford pick-up. No matter how well we planned it, it always ended up being in the driveway when my daddy or my mother needed to get one of the other vehicles. They used to call it musical cars, as in "here we go again, time to play musical cars again..." They would laugh, but I could always detect the exasperation in their voices. Yet, despite my mother's protests, my daddy has never been able to part with his truck, his baby.

There came a day when I was eight and my mother was late with dinner that that truck would get me into probably the deepest trouble I've ever been in aside from the scandal of my parents finding out I had lost my virginity to someone five years older than me. Again, my only excuse is that I had the best of intentions. I never planned to wreak havoc like I did. "Hurricaines don't choose to cause destruction, they can only follow the path laid before them," as my daddy used to say when I'd be sent home from school or one of the other parents would place a concerned call about me. Bear that in mind as I continue.

I was at the dinner table, worried that my mother seemed even more agitated than she usually was. I wasn't particularly hungry as I was never a huge eater when it came to home meals. A big appetite was usually reserved for the one or two times a week when my parents decided a restaurant meal was the best course of action. My mother had drilled it into my head that a proper lady doesn't eat more than her company, even if that company was family. By that reckoning on that day like so many days before that, I fooled myself into believing that I couldn't eat until my parents ate. You would have never heard word one about my being hungry in that household. Ever. That was a big no-no.

Still, my mother could see by my slightly downcast face and the barely audible rumblings of my eight-year-old stomach, that all was not right in the city of Macon. She had wanted to fix us this nice steak dinner, but my father had been inexplicably forced to stay late at his work and wouldn't have enough time to pick up the cuts in a timely fashion. If we wanted the dinner my mother had planned for us it would have been at least another two hours.

It was then that my mother made the decision that rather than try to whip something up quickly for my father and I, she would take us all down to the fancy steak place that my father liked. She told me to ready myself in a decent dress and to pick out a nice bow she could tie. Yes, there's a reason why in a lot of my poetry I speak out against the archaic practice of tying bows in your daughter's hair. It's positively barbaric in my opinion--cuteness be damned.

I rushed up to my room, changed, prettied myself, and was back downstairs in the kitchen with plenty of time to spare before my father was expected home. On occasions like this my parents usually brought out the volvo because it felt more momentous and dignified rather than rolling up in my daddy's ten-gallon hat of a pickup. The only trouble was, of course, that the volvo was in the garage and the white pickup was blocking it in. It would mean that my mom would have to move it before we could go.

Well, I already knew she was as agitated as a one-legged ice skater in a crowded pond. I wanted the night to go well. I wanted to have a nice dinner with my parents and not have the conversation revolve around just how many things had gone wrong that day.

I decided to move the pick-up myself to save my mother the trouble.

Before you start in on me, I can only defend myself with this. By that point in time my daddy had begun showing me the fundamentals of driving. He would, like a lot of fathers did in the slow country roads of the countryside, allow me to sit up on his knees, place my hands on the wheel and let me steer for a spell when we weren't in any great hurry to be anywhere. Sometimes, when he was feeling extra jolly, he would even let me push down on the pedals when he was sure I couldn't actually run us off the road. I learned the difference between the "R" and the "D", I learned just how much wheel to give different turns, Hell's bells, he even let me start the damned thing whenever I asked. It was fun and nothing ever had gone wrong. In short, I had received just enough information to kill myself with.

I gathered up my mother's keys out of her purse and set out to the driveway with the full intention of scooching it back a few feet to allow my mother space to get out. I unlocked the driver's side door, climbed up, and started it up. I had to stand to reach the pedals which was my first mistake. There's no feathering the gas pedal when you're in a full upright position. You're either standing on the pedal or you ain't. The next mistake I made was attempting to reverse out of the driveway. Even with all those impromptu driving lessons I had with my daddy, the need to explain the hows and whys you reverse a vehicle had never arisen. Go figure. I hadn't learned what the rearview mirror did. Hell, I was even lucky to have been able to see the mirror at all, let alone see what was behind me. I knew three things. One, I knew how to get it started, which I did. Two, I knew how to put it into reverse, which I did. Three, I knew how to pull the parking brake while pressing on the gas.

The truck took off like a greyhound at the track. In reverse. Down the driveway, across our tiny two-lane residential street, and to the other side of it. Luckily, my progress was stopped before I could cause damage to our neighbor's house.

Unfortunately, my progress was stopped by a massive telephone pole.

It threw me away from the steering wheel and against the passenger side of the cab. I was lucky it hadn't thrown me through the windshield or any other of the windows. As it was, I was sufficiently dazed to not realize exactly what had happened. All of this had taken place in less than ten seconds, if that.

When my mother found me two minutes later, I was crying inside the still-idling truck. The pole prevented it from moving, but it didn't prevent it from causing sufficient noise and fervor to make all of our neighbors to take notice. Not only that, but my little stunt had also proceeded to tilt the telephone pole a small distance. No, it wasn't in any danger of falling or I wouldn't be sitting here writing this to you, but it did add to the list of transgressions I was guilty of. Singlehandedly, I had knocked out service to our area for the next four or five hours before they could get a guy out to fix it.

After my mother ran to me and made sure I was okay, I proceeded to get a tongue lashing that I'm still not sure to this day has ever ended. I know my mother never allows me to live it down. It's also a hoot-and-a-half with both Greg and Patrick.

----

I told you that story to tell you this story. I got a disturbing letter from my high school alumni association the other day inquiring whether I would like to be part of my ten-year reunion planning committee for next year. Couple that with the inevitable fact of my birthday this past Monday, and it made me realize it's been almost twenty years since I last tried to commit suicide by vehicular idiocy.

Like it or not, I'm getting old.

I noticed a long time ago that I no longer get into scrapes like I once did. Sure, I indulge my follies every once in a while. Those chances to break loose and kick caution to the curb, don't come as often as I would like. I'm no longer 'ole Breanne, good for a laugh whenever she was acting impulsively. I'm just old Breanne now--no more, no less. I don't have the chances to really wreck myself or my reputation. While I wouldn't say I'm stuck in a rut, I know there aren't very many firsts out there for me.

That makes me sad in a way.

A lot of my personality is predicated on the fact that I was so-called unpredictable. A lot of what makes me me is the idea that I don't always do what's expected of me (or normal people). Every once in a while I'll do something because it seems like a solid idea to me and no once. Without the bit of spice, what am I? I'm just like everyone else and that is an idea that can't stand.

I can't be the person who sits at home and waits for life to come to her. I need to be the person who runs right alongside with life daring it to keep up with me. I can't be the person who jogs for recreation and not for exploration. I need to be the person who runs faster, harder, and longer than anyone else because it's what I was born to do. I can't be the person who sits idling in the driveway.

Chicago is a place I haven't tackled yet. Hopefully, by the time I'm done with it, you won't even recognize it. I need this trip to remember what kind of person I was and still want to be.

I need to be the person that knocks over a few telephone poles now and again.

Breanne

Labels: , , ,

|

Wednesday, April 25, 2007

I Want You To Notice, When I'm Not Around, You're So Fuckin' Special, I Wish I Was Special

--"Creep", Radiohead

speaking of presents...

16/12/94

I just couldn't help it! It was too perfect! I remember the book from when I was a kid (and so does my mom--augh!!), and it was just so great--I had to buy a copy and mail it to you! =) (Such a hard decision--new Holocaust book or Dr. Seuss for Patrick... humour won! )

Follow the instructions carefully (they aren't hard--just one word--SLEEP! =)). Funny poetry on sleeping for Patrick...
hmmm...=)

(Mom says note the "Collapsible Frink"--her maiden name is Frink =), but I assure you, she looks nothing like that! It's 10 times more horrible! (Ssh! Don't tell! ))

Forgive my sarcasm... okay, don't forgive it. It's just a fun though!

Sleepy Smiles,
Jina (on a good penmanship day!)



whatever makes you happy

I really wish I was half the person she used to believe I was back then. I really wish I could have lived up to her ideal picture of me. But I shattered that image a long time ago.

I always have two questions when I read old letters from Jina. How did I ever let things get so awful between us and what can I do now to repair it? The only answers I can come back with are "I don't know" and "probably nothing." It's a sad state of affairs when you make a mistake but don't realize it until years later. That's what I always feel like when thinking about her. I know what I did wrong and probably should have recognized it at the time, but only came to my senses about five years later when I was rummaging through old stuff of hers (basically everything that wasn't burned).

Is that really karma though? Did I really put enough negative energy out there that I should be subject to this? That's another question I ponder. Sometimes I have the thought that if I had had the ability to let things go more back then she and I might have enjoyed the relationship that Breanne and I continue to have to this day. If I had let the hurtful and angry feelings lay dormant and not acted on them, things could have been different. After all, you receive what you put out. At that time I was generating tremendous amounts of belligerent intentions. I wanted to hurt her as much as she hurt me. No other thought consumed me. I should have known that it would come back to me threefold.

Another school of thought is that all of it was pre-ordained. She and I ran the course we were always supposed to. I was always meant to put up a wall between us and she was always meant to move on. That view certainly lets me sleep better at night.

However, I know the truth lies somewhere in the middle. I think the truth is that I probably broke what was always a fragile friendship to begin with. We certainly had the odds stacked up against us. I think, yes, someday we might have drifted apart as most friends do. We would have stopped connecting eventually. She would have moved on with her life and I, with mine. We would have ended on good terms, but we still would have ended. It would have been, as Jenny says, the slow fade of love. Instead, I turned that trickle into a great deluge and overwhelmed the issue. That's what keeps me up at night, the fact I hastened the inevitable when there were probably a few more good years left in it yet.

And the only thing that allows me to sleep somewhat comfortably is the thought in 1994 I had a friend that was this thoughtful and sweet.

Well, that and Dr. Seuss' The Sleep Book.

Yours Swimmingly,
mojo shivers

Labels: , , ,

|

Monday, April 23, 2007

You're All That I Ever Know, When You Smile All My Face Always Seems To Glow, You Turned My Life Around, You Picked Me Up When I Was Down

--"All My Life", K-Ci and Jojo

To my Breannie on her 27th...

I struggled for awhile with what to say regarding this momentous occasion. I thought of doing the usual poem. I contemplated doing a list of your virtues like I did a few years ago. In retrospect, though, they all seem kind of cheesy and lacking a certain grace that a milestone like this deserves. I'm quite sure you know by now how I feel. I'm also quite sure you know by now that that isn't going to change and that my writing about isn't going to make it any more real or any more valid than my telling you is. Just because I post it up for everyone and their mother to read doesn't make the sentiment more valid. So, yeah, poems and lists were out.

Then I started to think about what this birthday means not just to you but to me too. Did you know it will be officially the fourteenth birthday I'll be celebrating with you? That's amazing. That's officially more of your birthdays I've celebrated knowing you than not knowing you. Outside of family, I don't think there is anyone else I can say that about. Whatever happens between us from this point forward that is an accomplishment that will never be blemished. I actually lasted the distance with one person without driving them away. More to the point, you actually made good on your promise to keep me around despite my disbelief. You truly are the most stubborn individual I've ever known, Mrs. Holins-Meier, and I mean that in a good way. You didn't give up on me and you didn't let me give up on myself. Fourteen times I've been able to call you my friend on your birthday and fourteen times you've been able to say the same about me on mine. We've got ourselves quite a streak going, haven't we now?

This is not to say that the only reason I'm engaged into this relationship is the mere fact of its longevity. Yes, it is a source of pride to have a close friend like you for the better part of my life. Yes, it brings a smile to my face that a big chunk of my life is so thoroughly connected to yours. But if the only reason I had to be your friend was to set some kind of record, I'm very sure that there were a lot of other choices out there that would have proven far less stressful, saddening, and, at times, downright maddening. Let's face it, no one needs the kind of aggravation we can create betwixt us, B. I should have walked away a long time ago with the amount of grief you put me through. But I didn't. And you know why? Because my life is that much better with you in it than without you. The truth is people, especially me, can feel isolated even when surrounded by dozens or hundreds of people. The truth is people, especially me, can feel cut off even with as many blessings as I have. There's a special type of loneliness reserved for those who don't have anyone they can count on. That's a loneliness I've been fortunate enough never to have felt since I found you. That's the most important quality that keeps me coming back to you. You and I are a team no matter how far apart we are.

I thought long and hard about if I should go through with our original plan to meet in Chicago. I've heard all sorts of people advising against it for various reasons. True, I've heard a smattering of support, but they have been in quite the minority. I still don't know if it's the right thing to do or what kind of consequences it may have.

Like I said, all I know is my life is better with you in it than without you in it.

It's been too long since I've seen you and it pains me to go another ten years without seeing you.

So no more deliberation. I made you a promise I'd do something special for your birthday and we're going through with it. You're always telling me I think about my decisions too much after the fact so we're just going to have to make this trip what it is--two friends catching up after a long time apart. I'll make you another promise. Whatever hardships or entanglements arise, my investing this sojourn with more meaning than that will not be one of them. I swear this will be one of those what happens in Chicago stays in Chicago deals.

The tickets are bought. The Cubs and White Sox, deep dish pizza, and Lake Michigan await. There's only one question left.

Are you ready to have some fun, birthday girl?

Yours Swimmingly,
mojo shivers

Labels: , , ,

|

Thursday, April 19, 2007

If You Don't Expect Too Much From Me, You Might Not Be Let Down, Cause All I Really Want Is To Be With You, Feeling Like I Matter Too

--"Hey Jealousy", Gin Blossoms

I hadn't been inside Torry's house for more than twenty minutes before the ruckus began. From what I caught, the trouble began with my friend being pulled aside by her mom for some childish indiscretion. Maybe it was playing her music too loudly, maybe it was leaving her room untidy, I'll never know. All I do know is that Torry chose that occasion to motion for a brief recess before remedying the situation. She was always like that. It wasn't the fact she didn't want to do something; it was always a matter of timing with her. Whereas I was concerned about appearing the dutiful daughter when around my parents, she kept her independent streak with her at all times. I may have wreaked havoc, but I would have never dared do half of the things I did with my parents standing right there.

At first I laughed. Torry had something witty in way of comeback. If it had been my mother I would have been too intimidated to think of something witty, but Torry was like a blackbird on a wire, cawing with every attempt to trap her down.

I think that's what may have added fuel to the fire because it was at that point that the two of them really got into it.

"I won't be telling you again, Victoria Jane. You will listen to me."

"Mom, you're embarrassing me in front of Breanne."

"Maybe you should ask her to go home then. Is that what you want?"

"Only if I could go with her," I heard Torry mutter under her breath.

I could never talk back to my mom like that. I could do the most idiotic and wicked things imaginable, but once I was caught, that was it for me. I squealed like a captured pig. I was willful and lacked common sense, but I don't believe I had a streak of defiance in me till later on.

Torry's daliances with testing her mother's patience was even more noticeable than mine.

I watched as Torry grabbed the old pair of green keds that she used when the two of us went walking a great distance. I watched her grab them and begin to put them directly in front of her mom. Every so often I would glance at her face while she was putting them on and see her checking for her mother's reaction. It was painfully obvious that her mother's wishes did not include her leaving with me. Hell's bells, I wanted her to come with me and even I knew it was a longshot that her mother would go along with this plan.

Thus, it didn't come as a huge shock when her mother finally protested.

"You are not going anywhere."

I've never heard five words sound more ominous. Her mother might as well have said, "you're going to die" or "you are adopted" so clear-cut and perceptably angered was her tone.

I didn't know whether to leave on my own or lend support to her. Again, I didn't honestly know what the dispute was so I didn't want to chime in without the facts. For all I knew, her mother was in the right and Torry was just being Torry. I also didn't want to put my weight behind her mother because she would have seen me as a traitor. It was my job as her best friend to stand behind her no matter what my better judgment was telling me to do. Friends pick each other up. Them were the rules. At that moment my friend was down and I couldn't in good conscience abandon her. Trying to mediate the matter didn't seem applicable either because no matter which way it was decided I would end up being the bad guy. I didn't want that. I decided to go with my original idea and shush up as best I could.

"Take those shoes off now."

"I don't want to."

"Do it now, Torry, before I have to do it for you."

"I'd like to see you try."

That's when I saw one of the most amazing sights I'd seen in my life up until then. I watched as Torry's mom began to chase her daughter around the living room we were in. I watched as the two of them begin to run through the kitchen and pantry areas. Then they moved to the family room and, finally, up the stairs.

I quickly followed them as soon as I heard Torry scream.

When I walked into the upstairs rumpus room I thought I had just about seen everything. There was Torry flat on her back on one of the futons, while her mother was forcibly prying the keds off her feet. I don't know which was hurting her more, the fact that her mother was forcibly holding her feet down in order to get them off or that she wasn't even bothering to untie them first. It didn't help that every step of the way Torry was thrashing like a caught trout. I think if she had calmed down just a bit she may have survived the experience without the pinkened skin and loss of breath that she experienced.

"Is it too much to ask, Torry, that for once you two stay here. You're always tromping off to Breanne's house to play. Can't I see you for once?" her mother asked, still holding the pair of shoes in the air.

"Why would I want to stay here with a tyrant like you?" Torry asked.

"I asked you to do one simple thing."

"Which I said I'd get around to. Right now I want to go play with Breanne."

"You can play later."

"I swear, it's like I don't matter to you at all, Torry."

By comparison, she seemed sincere. More to the point, she seemed to genuinely want to give Torry the choice. If my mother wanted me to spend more time with her and felt like I was neglecting her, she would have just ordered me to stay home. I would have hated it, but there wasn't very much she could tell me that I wouldn't do. I was the veritable picture of obedience. Yet behind every reluctant nod and every courteous supplication was a young girl longing to be seen as capable of making her own decisions. Here was Torry whose mother seemingly wanted to foster a healthy relationship with her daughter, giving her the choice to spend some quality time with her mother or with me, who she was practically joined at the hip with. I didn't see the big fuss was all about. I wanted to tell her that I could just see her later and that she needed to work things out with her mother first.

But Torry would have none of it.

She simply grabbed me and rushed me down the stairs.

"You come back here right now, young woman," I heard her mother yell from above us as we descended.

She opened the front door for me and the two of us walked out onto her driveway. I watched as she took those first few steps on the pavement bare-footed, her feet tellingly burning in the Southern heat. Not that she would allow herself to show any discomfort. She was on a mission to show up her mother and I was merely the witness to the whole affair.

We had almost made it to the end of the driveway when I saw them more than heard them. Torry's green keds came whistling from on high right past her astonished head. I don't know if her mother had been trying to bean Torry in the head, but she had definitely succeeded in getting her daughter's attention. I turned towards her and watched the ire appear inch by inch on her face. She picked up her shoes violently and marched right around. The next thing I knew she had opened the front door and walked back inside the house.

I decided to wait it out on the outside.

Again, the first thing I heard was lots of yelling, very strong words being exchanged back and forth between them. This went on for about forty minutes, during which I calmly sat on their front steps and leaned myself against the exterior of the house. I fooled myself into thinking it would be a short argument, but the longer it went on and the darker it got the more I realized it was going to be one of those all-night clearing the air sessions. Rather than risk feeling dejected that Torry had forgotten all about me outside, I took some comfort in the fact that she had decided to talk things out with her mother after all. In fact, I even detected the faint sounds of laughter as I left.

When I arrived home after my short work from Torry's, I made a point to check in with my own mother. I don't exactly remember if we'd been going through a rough patch ourselves, but I wasn't about to take any chances. My whole walk home I was concentrating on the fact that parents could actually give a damn whether or not we thought they mattered. It was my understanding that respect and fear was all they required to be given by us. It actually was a new discovery to see firsthand that sometimes they need a little compassion and attention now and again, just like we did.

Maybe we never really outgrown the need to feel like we matter and maybe we all take for granted the idea we are important to the people we feel closest to. Sometimes to this day I get a hankering to hear that I made a difference in somebody's day and that there's a small corner of the world that would miss me if I were gone.

I walked right in throught the front door and gave my mother a long and powerful hug as soon as I saw her.

"What was that for, honey?" she asked, smiles creeping across her face.

"I don't know--I just thought I'd let you know that you matter to me. That's all."

Breanne

Labels: , , ,

|

Saturday, April 14, 2007

Cause I'm Gonna Love You, Each And Every Day, No More Work, Just A Lot Of Play, Having Big Fun, Under The Sun, Because

--"Big Fun", S Club 8


big fun

After days of effort I've finally figured why "Big Fun" by S Club 8 hooked me so fast after hearing it. It isn't merely because the group reminds me of my MMC days (take note, Janet) what with their youth, talent for singing, and arguably some of the catchiest pop songs ever, though that has a lot do with it. The real reason is far more insidious and ingenious. The real reason why I can't expel "Big Fun" from my thoughts is simple.

The beat is bloody based on "The Hustle". If you doubt me, just take a listen to the video above when it gets 1:48 in. There it is, the retro 70s classic in all its glory.

It's either that reason or because I'm easily distracted by clever choreography.

What I can't fully understand is why I listen to blatant pop songs in the first place. I mean--I consider myself to have discerning tastes. I listen to Rilo Kiley's songs covering topics like opposing the president and what it's like to be in an abusive relationship. I listen to Nellie McKay's call for a protest of Columbia University due to their propensity for testing on animals. Hell, I've even been known to listen to a Decemberist song or two which really belong in a Melville novel or something. Yet why do I also find myself listening to the likes of S Club 8, The MMC, PC Quest, and M2M? How can I mention songs about puppy love and partying in the same sentence as The Pierces' song about the disaffectation of American society? I really shouldn't be able to mention them in the same breath.

I guess that's my problem. I am a man serving two masters. On one hand, I love twisty, philosophical, and intelligent lyrics which explore mature themes. I love the way a Cure song can make my heart feel so sad and still capture my imagination. But, on the other hand, there is something about a well-crafted and terse pop song that is almost instinctually satisfying to me. I love how a good pop song can engage me on a basic level to want to sing along or get up and dance. I love how almost every pop song says the same damn thing (how nice love is, you should be happy, life is beautiful, &c...), yet manage to put their own unique spin on the theme. It's much like a good country song. You know what's coming, but you're always suprised at the presentation. I cannot honestly put my finger on which I love more. If I were a pretentious man, I wouldn't even admit to listening to the likes of the A*Teens because I know a grown man shouldn't be interested in the goings-on of teenagers. But it's really hard to find a good pop song recorded by adults for adults. So I go on loving them both.

I just don't see the need to distinguish between these two tastes. After all, people go to the latest fluff blockbuster one week and then a small artistic indie movie the next week without getting hassled. Or, more immediately, people read the newspaper every morning, yet like to get into the next big page-turner later that night. We all have needs to be met and, sad to say, one type of writing or film or, yes, music is enough to satisfy every craving. Sure, you may like to listen to Classic mostly, but every once in a while you've got to re-train your ears to something entirely different. As my friend once put it, you may like steak, but that doesn't mean you can eat it every night.

That would be amazing, though, if I could find totally innocuous lyrics set to artistically imperative music. If there were such a concoction that could engage both the mind and heart, I would be so down for that. It would be a thing of beauty.

But for now I must sail the choppy waters between my two ports, never settling on a permanent home, doomed to wander back and forth forever.

It's okay. The way I see it there's no such thing as having too broad of horizons. I'd rather be the person that seeks new avenues everyday rather than be the person who stays huddled in the familiar. Sure, it's safer to stay where you are, where you are comfortable, because you already know what to expect.

However, I imagine, every step you take outside of your comfort zone is one step closer to heaven.


one step closer

Yours Swimmingly,
mojo shivers

Labels: , , ,

|

Thursday, April 12, 2007

Hopelessly Drift, In The Eyes Of The Ghost Again, Down On My Knees, And My Hands In The Air Again, Pushing My Face In The Memory Of You Again

--"Untitled", The Cure

When Breanne first came to visit me in sunny California I had to go through the traditional tour through my residence. Sure, I was embarrassed to point out the fact that I was twenty-two and still living at home in the same damn guest house I'd been living in for the past seven years. I was embarrassed to let her see that, after putting me up in a spare bedroom probably 1 1/2 times the size of my bedroom, my "place" was so small. But what could I do? It wasn't like I could pretend I was living somewhere bigger or on my own. As she's famous for saying, I can only be mojo--no more, no less.

"So this is where all the magic happens?" she asked, indicating towards the computer tucked away in the corner. "This is where all those pent-up ideas get murdered and put to paper."

"Actually, the magic happens over there," I replied, pointing to my bed, "but, yead that's the computer where I've written practically everything you've read."

She took a seat on my chair, twirling it around a bit, and took in what little the room had to offer. I didn't exactly have a style to the room. I had very little in the way of decoration. What I had were a few piles of magazines and various writings strewn around the floor. The area especially around the desk was cluttered with barely started short stories. Also, as everyone who has ever known me can attest to, there was a sizable layer of dust on everything. I just have never gotten quite acquainted with cleanliness to everyone else's satisfaction.

I watched as she picked up one of the stories I was working on.

"What's this, sugar?"

"That? That's nothing. It was just an attempt at a ghost story. Nothing quite so interesting as your stuff, but I thought I had a good idea."

"Ooh, can I read it?"

"You're not going to like it. Besides, it's not done."

I approached her and sat on the side of the bed closest to her. I was hoping she wasn't going to press the matter, but something told me she would. I'm not sure if every individual who calls themself a write has the same paranoia, but I have this phobia that whenever somebody reads a half-finished work it never gets finished. I don't know how many times this has happened to me. I do know that it's happened enough to be fairly adamant that no one gets to see anything until the work is done. Call it a phobia, but I don't like people peeking at a work in progress.

Yet we all make concessions when it involves people we feel are close to us so when she began reading it, I didn't attempt to any certain degree to stop her.

As I watched her reading it, embarrassed about everything to do with my room and my situation, I started to think how the rest of the week was going to be so much better. I was going to take my friend away from my pitiful unkempt room. We were going to have fun driving up and down the coast. But mostly I was going to take her away from everything that could possibly incriminate me as being something I wasn't. Much like my writing, there's an inherent contract of trust when a person allows another person into the place they reside. In parts, I felt good that I could show her where I lived and have her not make fun of me, but in others I knew behind every bookshelf and inside the closet were tons of anecdotes, many of which were not flattering. It was the second part that was prodding me to get the obligatory tour around the room over with and to quickly get our butts on the road.

"It's good, but why didn't you finish it yet?" I heard her ask. I studied her face, searching for signs of false praise or, worse yet, pity praise. She seemed genuine. I was prepared to say that it was due to working on something more eventful or promising. I was prepared to give her a line about how I have this intricate system of priortizing what I work on first. But that would have all been a lie. She knew me too well to have me pretend I had anything resembling order in my creative process. That's the question she was asking, what superstition or act of chance had prevented me from completing the story in her hands.

"I scared myself."

"You what?"

"I got going with the writing and wrote myself into a particularly scary portion of the story. Then all the talk of ghosts proved too much for me and I had to stop."

Breanne started to laugh. She started to laugh so loudly that I knew that my parents over in the main house could hear her. I got up and tried to shush her repeatedly, but the fits of laughter pealed from her like thunder. I'm pretty sure I've described Breanne's laughter to you all before, but, in case I haven't, she laughs like a hurricaine. There isn't a thing subtle about her laughing. It isn't this quiet, restrained chuch mice laugh. On the contrary, it's this big, boisterous laugh of someone who quite enjoys laughing. Most of the time, I find it refreshing. It's a different story when I'm the root cause of her laughter.

"It's not funny, Breanne. An author is not supposed to be scared of his own work. It's not like Stephen King gives himself nightmares writing horror. I shouldn't either."

She tried to speak as the laughter began to fade away.

"I don't get it. You can watch a scary movie, darling. Why is it so hard for you to read a good ghost story?"

"It's different."

"Of course, it's different. But why is it different?"

"I think it's the difference between seeing something with your eyes and seeing something with your head. Don't get me wrong, I wouldn't like to see a ghost in real life, but, barring that, it's worse when I get the image of a ghost in my mind after reading a book. Seeing a movie, it's like in through the eyes and then out of my head. Reading a book, the sight stays with me quite awhile."

"Sounds like you have a problem of an overactive imagination."

"That's me."

I sat back down on the bed, embarrassed but smiling. It wasn't anything she hadn't heard before so I wasn't embarrassed about divulging any deep, dark secret. I was more embarrassed because of how long I had had that particular quirk about ghost stories. I love to read them and they fascinate me to no end, but inevitably they scare the crap out of me. The fact that I had let her in on that particular personality trait when I first met her, five years prior, and I was still coming up with new ways to demonstrate my irrational fear embarrassed me.


never knew how I wanted to feel

I closed my eyes and tried to imagine what the rest of the week held. Honestly, I wanted to get as far away from where I was at at that point as possible.

It was during that point when I couldn't see that I heard more than felt her sit next to me on the bed. I then felt her place her arm above my shoulder and around me neck. It felt good, it felt comforting, and only served to reinforce that I definitely had a good week in store.

"What'cha thinking about, Eeyore?"

"I was just thinking about how nice it's going to be to get away with you."

"Hell's bells, got that right. It'll be nice not to have think about college for once."

"And I was thinking how scary it is to know that you know all my secrets."

"You mean, the ghost thing?"

"Especially the ghost thing."

"I hate to break it to you, but it isn't exactly the recipe for Coke you've got there, sugar."

I sighed and looked at her. Another weird quirk I have is that I don't often look people in the eye. Brandy, who has had some training in psychology, thinks it's because I have respect issues and that I tend to avoid looking at people who I don't think are on the same level. She thinks I don't look at people I feel who are better than me in the eye because I feel beneath them and I don't look at people I feel are worse than me in the eye because I feel they're beneath me. I just happen to think I spent one too many years inventing half-truths and spinning tales to entertain myself. I think my tendency is to look away from most people's faces when I'm setting up the story, but once I get to the payoff, I immediately look most people in the face for effect. It's much in the same fashion I like to write a sizable paragraph of contemplation and thought, then sell it with one key phrase or bon mot.

With Breanne, however, I've always been able to look upon her from word one.

"I don't know--there's not a lot of people who know exactly how silly frightened I get over ghost stories. It isn't like it's a cool phobia or anything."

"Awww, I feel honored then."

"You should, it's one of my most private fears and something I tend to get easily shy about."

"Any more you'd care to share, sugar?"

Until that moment I didn't know exactly what kind of anecdotes I was exactly trying to hide. I just knew that with every knick-knack, every photo, and every letter, stored somewhere, came a story. It were these stories, some forgotten and some blocked out, that I knew would pouring out of me if I lingered too long in the room with her. I've always had particular weakness for spilling my guts to whomever would listen, even though a few hours later I've always lamented being so easily compelled into confessing. I've always felt the need to unburden myself given the right circumstances. And, of course, I've always felt particularly close to my friend from the South. All this added up to a situation where a story I knew was hiding somewhere in my room would come pouring out.

I never paid close attention t the stories I choose to share with her. Most of the time, they naturally come rushing out of me. I hear a key phrase, see a picture that reminded me of something, or just have it on the forefront of my mind for some reason. Whatever the impetus, I am always willing to share my life with her. I never take a tally of which key incidents I have already told her and which incidents I haven't. They just flow. This leads to many instances of "you already told me that one, Patrick" or "I've heard this one before." It's all good. I have the worst short-term memory, but I do love talking about stories from past, as evinced by the very purpose of this blog site. I think a person's past is material ripe for the picking. It's like pulling quotes for a research paper. Need an example of what a decent guy I was? Tell the story about how I escorted Brandy around Disney World when she had been left behind. Need an example of what a jerk I am? Tell the story about how I slammed DeAnn's arm in a car door. Need an example of me at my saddest and most downtrodden? Tell the story about having to watch Jennifer slowly die away each day in the hospital. The point is I have what amounts to a black book of stories that I readily tell my closes acquaintances and friends, often to the point of tedium, because I do have what amounts to a system regarding which story to tell in a given situation.

The story I told Breanne that day, though, I knew I'd never told anyone before.

"One of the scariest things I can remember doing happened right here in this room. It was three years ago, before she and I stopped talking to each other. I had come up with the great idea to send along with a letter, along with a gift, a videotape to Jina in my next package to her. I had videotaped all over Sierra Madre. I had gone up to Mt. Wilson to show her view from atop there. I had recorded all these snippets of what my life was like and I thought that was going to be the extent of the videotape--a kind of day in the life of one mojo shivers.

"When I got back here, though, I had one other idea that I'd been toying with for the past few days I'd been videotaping with my friend Peter. I wanted to set aside a portion of the tape to tell her some of what I felt for her. So I closed the blinds, turned off all the lights, and stood in that closet over there, with only the dim bulb illuminating my shadowed face.

"And I proceeded to talk, to rant actually, about some of what she meant to me. I remember I had The Cure's 'Untitled' playing for background music. And I remember thinking that I was pouring a lot of my heart out to a video camera. And I remember thinking that it felt weird knowing that Peter was behind the lens hearing everything I was saying. In the end I didn't care. I thought I was saying what needed to be said."

I watched as Breanne's oceanic blue-green eyes danced with every admission. Again, I peered into them to see some semblance of a sign of what she thought. They betrayed everything. I marveled at how easy my words came out, but even moreso at how affected by them Breanne was. Normally, I was used to people who reserved their opinions until the conclusion of the tale or the speech. Breanne's face was like looking at an applause meter, which rose and fell with every syllable. It was kind of comforting to have such easy access to an honest response.

"Hell's bells, Patrick. What happened after that?"

"I sent it off. She got it, didn't know how to respond, and proceeded to draw away from me. That's when I got upset, burned all her stuff, and mailed her the ashes.

"And now you know, the real reason why Jina and I aren't friends... because I was stupid and impulsive. Embarrassing story, huh?"

If she felt my shame, I wouldn't have known. If she felt awkward about hearing me talk about my awkwardness, I didn't get the impression from her. If she had grown timid or shy or nervous after my tale, I didn't feel that from her. The only thing I felt from her was the other arm come around and embrace me in a show of support and gratitude at being chosen worthy enough to hear that particular anecdote.

Suddenly living in that untidy room full of untidy objects which held untidy stories didn't seem so embarrassing. And just as suddenly I no longer was in any hurry to be anywhere than there. I had stopped being scared of my own ghosts and the ghosts that haunted that room and my life.

Yours Swimmingly,
mojo shivers

Labels: , , ,

|

Tuesday, April 10, 2007

You Are My Sweetest Downfall, I Loved You First, I Loved You First, Beneath The Stars Came Fallin' On Our Heads, But They're Just Old Light

--"Samson", Regina Spektor

You.

Sometimes I'll seeing you lying in the grass of our old backyard, stretched out and relaxed, and I'll get to thinking of how much I miss you. There is so much I miss about our time together. I yearn to join you there, to have you acknowledge my prescence, but it never happens. Hours after I first start watching, you tiptoe away inside the house. I give a thought to following you. It passes. I can always tell when you want to be alone and when it's best not to intrude. Even as I am, I still do my best to give you your space. It's then I wonder what you're doing inside, what you're thinking inside, what I can do to join you once more. That too passes. Thoughts are too easy to get lost inside of now. Thinking is all I do. Thinking is all I have. Now. Waiting for you outside is easier. It's calmer. It relaxes me.

You.

I still think you're beautiful. Perfect. You're still my little angel. That's another thought I cannot rid myself of. Even though it's been a few years since you could be considered little, I still remember how you were. I still remember how small you were when I held you in my arms. I still smile at that. That's how I prefer to think of you. My little angel. If I try really hard I can even imagine you crying in your bed, calling out for your mommy, like you did when you were young. I would come as quick as a fox to your bedside and ask what was wrong. You'd say you were scared and that you wanted me to hold you. I'd oblige. Time was there wasn't anything I'd rather do than hold you. It feels natural to hold you and unnatural not to be able to. You are beatiful even though you've gotten older. Beauty is supposed to be experienced up close and not from a distance. I feel like I'm at some museum, able to look but not touch my own child, my own daughter. It distracts me.

You.

All I do is worry about you, what kind of woman you're going to turn out to be. Did I teach you right from wrong? Something tells me I didn't. I worry that I wasn't a good mother to you, that I let you get away with too much. Maybe I should have been harsher with you, more strict. Your father always accused me of letting you get away with murder. I told him that it's a phase. I excused your behavior for rambunctuousness. I worry that I failed you somehow, angel. I could have been better for you, more understanding somehow. Your teachers used to tell me that they were afraid that you were growing up in an environment devoid of love. I took it as a personal challenge to show how much I trusted you. I offered you an open door policy to always be able to talk to me, but I didn't push. I didn't want to intrude. I wanted you to want to come to me. I didn't want to push. Pushing just wasn't my style. So I worried and worried. When you didn't come to me like you once did I though everything was alright. I believed I accomplished the task of allowing you your freedom while still being a good parent.

You.

It's getting harder to listen in on you now. You no longer talk of me in the past tense any more. You no longer talk about me at all. It seems everyone's heard the tragic story. Old news gets tossed out like the garbage. I'm no longer interesting. I no longer affect you. It's funny, though, how you affect me everyday. All I do is think about you. I'll wait till you go to bed. I'll sit out on the patio and starting thinking about you. The next thing I know the sun will already be rising and you'll start getting ready for school. Eight hours gone in a heartbeat and I cannot even recall what exactly I thought about you. There was something I was supposed to remember, something I want to remember. But it all slips away like sand. The thinking is hard. It hurts my brain. The watching you is easier. The imagining you is easier. The pretending I still matter to you comforts me more than thinking about what it is I'm supposed to be thinking about you. Even though you don't say anything, I like to pretend what you'd say to me if you knew I was there. I like pretending that.

You.

You like to listen to songs in your bedroom. I remember how distracting it was when I'd be in my office downstairs and you'd be blaring your music. I think that's how it was, at least. I let so much go when I was alive. It could have been that I was only slightly annoyed. I'd march upstairs and quietly suggest you might want to lower the volume. You'd give me that cross face like you used to do. I'd tell you, angel, it's only a suggestion. But you'd lower it anyway. I could feel more than see the resentment in your face. That's how it always was, wasn't it? Me, trying everything in my power not to be overbearing, saying please and thank you, and you still being cross with me. I'd go back downstairs and try to get back to work. All I could do, however, is come up with ways to make it up to you. I didn't like being on your bad side. It was a place not suited to my personality. I could feel us falling further and further apart despite my best efforts.

You.

That last day I had found you having sex. Or was it drugs? Or maybe stealing four-hundred dollars from my purse? Whatever it was, it was big. It was big enough for me to sit you down for once and have you explain what you were doing. Angel, I said, I know there's a reason for this. Just explain it to me. We'll work it out. There's no need to get your father involved. You started to cry. I tried to comfort you the best I could. That's when you spilled it. That wasn't the first time. You'd been doing it for a couple of years already. You said, I kept waiting for you to catch me. I kept waiting for you to stop me. I wanted you to stop me. I wanted you to care. But you never did. That's when I started to cry. That's when I realized how much I'd failed you. I said words. You said words. I told you we could work it out. You said it was too late for that. You were in too deep. Your father couldn't ever know, you warned me. I smiled, thinking that you were worrying for nothing. I never even knew how far you'd actually gone. Or how far you'd actually go.

You.

You killed me.

You are my little angel. You'll always be my little angel. That's what always comes back to me, sitting out here, watching you. It's easy to forget. It's easy to believe that because all I do is worry about you. Once you love somebody, it's my belief that you never stop. No matter what. That love gets inside of you. It's trapped. I think that's what allows me to keep on watching over you, protecting you, because it keeps me whole inside. All the rest of it gets sloughed off like dead skin on a rattlesnake. You remember the love more than the pain. You remember the smiles more than the tears. You remember the baby who you loved first than the teen who hated you. You remember all of that. You forget a lot of the unpleasantness. You just go on functioning as a being of love. You just go on. I just keep going on loving.

You.

Breanne

Labels: , , ,

|

Monday, April 09, 2007

Sparks Ignite, I'm Training For Thought, About No One, And Nothing In Particular, Watched The Sick And Suckered And Drove, Resent Nothing

--"Straight Lines", Silverchair

I don't often write about other people's sites. To me, rule number one is to stay true to my own stories and what makes me tick rather than regurgitate what other people are saying. It's easy to post up a link to something spectacular that isn't yours, jot down a few comments, and call it a blogging day. I've always thought that if it was to be something of value, a post needs to be two things. It needs to be personal and it needs to be entertaining. That's why I try to keep this site devoid of any memes, lists, or current events because they just aren't personal enough for me. And that's why I usually try not to become an advertisement for bigger and better blog sites because, if I think somebody should be reading them, that's why I have the list of sites we visit on the side. I don't want my whole contribution for the day to be akin to "my stuff is crap but, if you want to read something good, you need to check out so-and-so over here."

However, sometimes a site simply captures my imagination and fosters sufficient inspiration in me that I cannot help pay tribute. TheHill88 always brings a smile to my face, while at the same time revealing a delightfully entertaining (and personal) side to its owner, Miss Caitlin Hill. Originally, I planned to write out my own take on what it means to be entertaining and personal, but The Hill88 beat me to the punch. When I came across the following video, I was floored at how well done it was and how much it lifted my entire day. This is my goal, to craft posts half as entertaining as this. I figure I'm personally inclined already, but I want to strive to be entertaining as well.


there’s good will inside of me

I know, I know, I know. I don't do cameras and you have my permission to shoot me if I ever get the urge to videotape myself. But it's not only the fact that she puts herself in the gaze of the audience on a day-to-day basis that I admire about Miss Hill. It's the fact that she puts so much planning into her experiences and that's a talent I've never quite seemed to master. Sure, she does improvise a lot, but there is a level of professionalism that I've never possessed. Simply put, whatever you read here is pretty much written ten to thirty minutes before I post it. I've always relied on my skills as a writer to stumble upon what I'm trying to say. I've always eschewed drafting or planning of any kind when it comes to this business of art. However, after seeing that video, I know it's simple fear and lack of will that prevents me from giving my projects my all. I've always been a laid-back kind of guy when it comes to schoolwork-type projects or writing projects. I knew what I wanted to say, I had the basic tools to say it, and I have a fairly good imagination and vocabulary. Because of that I've always stuck with my guns and put out above-average effort on my first.

Now I see I can do better. More than that, I can actually see the difference in taking work just that extra bit more seriously. I'm noticing that too much polish and taking one's time are good things.

I'm noticing this because it's becoming clear to me that if I want to be taken seriously as a screenwriter, I can't hang on bad habits. I can't write from page one to "the end" and call it a day. I also can't write without an outline or blueprint of where I want to go. I'm not that talented, which comes as a shock to me, surprisingly. For as long as I've known I've had people tell me I could write well. I've had English teachers give me perfect scores for essays I've written only four hours before class started. I've had college professors actually tell me I could skip composition classes because my papers simply outclassed everyone else's. Slowly but surely, I began to think that as long as I trusted my instincts and avoided second-guessing my initial drafts I could do no wrong.

I stopped writing after the thought. As soon as I was done writing about something, I never revisited that writing. Ever. It just wasn't something I did.

Now I'm thinking it's time.

Caitlin takes weeks sometimes to cull together one of her posts and takes the time to make sure everything is staged correctly. Yet it always seems like it's something she's thrown together. That's the mark of a project being well thought out and expertly carried out from page one.

I've got the expertly (okay, above-averagely) part down pat. Now it's about time I spend the time writing out the project to explain how the project is going to get written out. It's about time I start making sure all my ladders are in place and secured well before I start climbing those heights. It's about time I start thinking the project is more important than my own ego.

It's about time, like Caitlin, I move on to newer pastures without changing who I am and what got me here in the first place.

Yours Swimmingly,
mojo shivers

Labels: , , ,

|

Sunday, April 08, 2007

Nothing Thrills Us Anymore, No One Kills Us Anymore, Life Is Such A Chore, When It's Boring

--"Boring", The Pierces

Thirty-six hours after I bought White Knight, the newest book by Jim Butcher in The Dresden Files, I finished it. It wasn't a conscious decision. I thought I would have all this weekend to leisurely lose myself in that world once again. But, alas and alack, that wasn't to be. I bought it last Tuesday night after work and had it done in the wee hours of Thursday morning. Now I'm only left with the saddened thoughts of a guy who has to wait another eighteen months before the next installment comes out.

I don't know how to explain my fascination with the book. I can only chalk it up to two aspects that I've always had a lifelong affinity for. One, it involves the supernatural, which is one subject matter I can always get into. The story basically centers around one Harry Dresden, Wizard-for-hire, but is set in basically our world. The only difference is that everything mystical or supernatural you ever read about or heard stories about is real--ghosts, werewolves, vampires, &c.... In this respect it reminds me much of Laurel K. Hamilton's Anita Blake series--at least, the early installments, before they became romance books with a dash of mystery and horror thrown in. Two, Harry plays like a detective in a film noir story right down the wisecracking hard-edged dialogue to the great personal sacrifices he undergoes throughout the story to protect the innocent and do what he thinks is right. If anything, this side of the stories appeal to me even more than the supernatural stuff because I'm constantly finding myself amazed at just how much he loses in his personal life, in his professional life, and himself just to uphold his ideals. I am telling you right now, there is no way I would be able to lose half as much and still remain relatively upbeat about it.


everything I ever wanted
boring


I also like the series because Jim Butcher has a real knack for plotting. Not only does he have one main plot carrying throughout each book, but there are several sub-plots going on throughout each book and throughout the series. If I had to number the amount of threads currently the reader has to keep track of by the time you get to White Night, which is book nine, it would probably number at least two dozen. So richly complex and rich is the narrative that I can only read in awe at how Mr. Butcher ties them altogether. It's like watching a master juggler handling eight pins without sweat and then audibly gaspin as he adds a couple more to his workload. These books are what imagine Lost or The X-Files could've been like if they had managed to expand upon their mythos without losing track of the questions they had already asked.

However, they bring up another issue with me. These books have probably replaced my social life to a certain degree. Reading these books, along with staying on top of my fantasy baseball league and real baseball as well, is probably the activity I enjoy the most right now. Sure, writing here and my screenplays probably fulfills me the most, but it's still hard work comparably. And, sure, I still love going out to try out a new restaurant or catch the latest film playing, but, again, that is more active than reading a good book.

Time was I hated being stuck indoors. All I did was sit at home waiting for plans to develop or someone to call me with something to do. Time was I would do anything to get out and about. I would stoop to actually calling people and announcing I was bored. I would drive around with no apparent destination. Sometimes I would even make plans with people I totally hated because I hated being cooped up even more.

Now I think I've mellowed with getting older. I've started to relish the quiet times more than the exciting times. This is not to say I don't enjoy a night out on the town, but I know now that those times are special when they can be done right. I would rather have one or two good nights out a month where everything is awesome than a few kind-of-fun adventures every weekend. In that regard, I identify with Harry's plight in the books. The course of the books winds its way through about a year apart between stories, during which Harry states emphatically that nothing of great import happens. He is clear to warn the reader that just because the stories contained within are fraught with danger and peril, seemingly suggesting a life of constant excitement, does not mean that's how it is all the time. He suggests that his life is like a baseball game, a lot of standing around with occasional flurries of all-out effort.

I think that's how my life is now and I'm kind of comfortable with that idea. After all, no one wants to have adventures chasing after mad sorcerors and avenging the deaths of one's friends and family everyday.

Sometimes you just want to read a book.

Yours Swimmingly,
mojo shivers

Labels: , , ,

|

Wednesday, April 04, 2007

Everything That I've Got Is Just What I've Got On, I Ain't Got A Dime, But What I Got Is Mine, I Ain't Rich, But Lord I'm Free

--"Amarillo By Morning", George Strait

Power. Money. Peace of Mind.

Which of those three possibilities is a strong enough motivation for someone seemingly normal to kill over? That's the question I've been debating for two days now as I prepare to flesh out my werewolf/film noir screenplay. Originally, I had the motivation for the caper which serves as an inciting incident to stem from a robbery gone awry. I originally intended for the major players to plan out an intricate heist of $100,000 which subsequently gets fouled up as they turn on one another and murder to get their hands on the purse. Murder? Of course it's going to be about money. That was immediately what leap to my mind when it came down to reasons for the first dead body. I couldn't even fathom any other vice compelling enough to prompt a person to kill.

It was actually my cousin Vincent who started my investigation of other priorities that might be powerful enough to kill over. He told me that money is too easy; it's what it's expected from this type of story. Then he challenged me to puzzle out another explanation, one that might tie into the elaborate backstory I had crafted for Hokes, my main investigator.

That search has led me to two alternatives, power and peace of mind.

Power, like money, isn't that big of a stretch. People do despicable deeds in order to get a leg up in the world. It wouldn't take much to wiggle in that the so-called badguys in my story merely did away with their rivals in a decidedly cover power play. I would have no trouble making my story center around that idea.

Yet the idea that keeps coming to the forefront of my mind is the idea of someone killing another person in order to get the answers he never had before or, worse yet, to bury a secret they don't want uncovered, a secret that has nothing to do with money or power, but the secret shame they've felt all the prior years. That's probably the idea I'm going to go with.

Which leads me to wonder for what exactly I might take drastic action in an effort to retain my peace of mind. What secrets do I have that I might be willing to silence someone forever to keep buried? I'd like to believe that such secrets do not exist and that such eternal questions have already been answered. Even though I may play the angst-ridden guttersnipe, I really have come to accept my life as the uneventful and ambivalent sea of uninterrupted moderation it really is. I'm neither overly morose or overly merry. I pretty much mosey along at an even pace.

Yet if I were to really search my soul, I'd have to say that a lot of the tales I post here I might have wanted to keep myself if I didn't if this weird need to unburden myself all the time. It's fairly embarrassing to be reminded on a daily basis of my moments of weakness, which have included daliances with people half my age, my alarming propensity for violence at the most inopportune moments, my various run-ins with the law or authority, and, of course, my utter lack of ethics when it comes to attaining goals I have decided to set for myself. These are the qualities and anecdotes I normally keep to myself when speaking to someone in person and only carefully reveal as you get to know me. Except here. For some reason I feel confident enough to let the chips fall where they may and let people read what they will of me. I don't care. And it's not because I think there is some overwhelming cloak of secrecy surrounding this site. I know I have used my real name, real hometown, and even real places of employment, that it would genuinely easy to decipher everything about me where someone to be so inclined. No, I think the power comes from knowing that the judgments people have of me will be diluted at best since very few individuals have ever glimpsed the complete picture of me.

Yet, if in some strange universe I had not committed these somewhat shocking revelations to paper here, I think I might have taken more offense to someone sussing them out. The hitting of DeAnn, the abortion--those are stories I might have done well to bottle up a tad longer. Also, I'm still not very proud of sleeping with Breanne and Tara before they were of age. That's a struggle of conscience that never quite goes away. Also, plowing into that schoolbus driver, conning all those kids in Vegas, everyone I ever pulled the twenty-dollar trick to, and, of course, the various of people I have lied to in order to gain some financial compensation, are not the fondest memories I possess. If I sat here I could probably wrangle a few more from the construct of my memory, but those few items I might have more vehemently denied and did whatever I could to prevent their getting out into the open.

But, by the very fact, all of those tales can be read in one place or another here precludes me from ever really being anxious about someone finding out about any of them. It's all here, folks. I'm not hiding very much. That's why I don't think I could ever resort to killing someone over wanting to keep something hidden. Nor do I think that there's been one nagging question that's hung over my head. Any time that's happened I've kind of worked through the answers myself (or with Breanne) here.

I do believe I have a modicum of peace of mind because of this blog. I know that because even if someone were to print these posts in their entirety I would have only one response.

And that would be, "Eh."

That's the freedom this site affords me.

Yours Swimmingly,
mojo shivers

Labels: , , ,

|

Tuesday, April 03, 2007

I Could Say Day, You'd Say Night, Tell Me It's Black When I Know That It's White, S'Always The Same, It's Just A Shame, That's All

--"That's All", Genesis

I have a thousand dollars coming to me in January of 2011 if I play my cards right. By the same token, I could be pressed into paying out two hundred dollars if the Lord sees fit (and if my beloved Dawgs let me down once more). Follow. The terms and conditions of my wager with mojo is that if the University of Georgia can field a team capable of winning the college football championship by the end of the 2010 season, he owes me a cool thousand. Conversely, if they do not win a championship by that point, then I owe him two hundred dollars. I've made other bets before--the long-standing bet of one hundred to the winner whenever the Braves face off with the Red Sox comes to mind--but nothing on such a long-term or grand scale as this bet.

Now you may ask what in the Sam Hill I'm doing it? By all appearances I don't seem the betting type. And, most of the time, I ain't. Most of the time in casual conversation I try not to get too worked up. I may get to the point of become windier than a bag of assholes, as my daddy says, but that relates more to my talkativeness rather than displaying signs of grit. However, when it comes to my teams I have a tendency to get madder than a wet hen when somebody begins to knock them in any way.

It's the fighter in me, I guess. I've always had confidence issues and one of the ways it comes out is that I don't like to concede an argument. And around my daddy, sports was always a bone of contention.

----

"Now, tiger, folks are going to tell you that rain is sunshine and sunshine, rain. But never you mind them. You stick to what you see and call it like you see it," he told me as we were attending one of many Braves games.

It was a quiet moment. We were losing. I had stopped paying attention to the game, much to the chagrin of my daddy.

I can't be one hundred percent certain but I think it's always stuck in his craw that I wasn't born a boy. I mean--he says thankful everyday that him and my mother even had me at all, given what the doctor had told them, but, all things being equal, I knew he would've appreciated a son more. That's probably why I grew to love sports, especially baseball. My mother was always rushing me to paegeants, to dance lessons. Baseball is one gift I could give my daddy.

That's why most of the time I tried to be attentive and talkative when I came to games with him. That day I just didn't have it in me.

I chose that opportunity to ask him if he thought it strange I got so despondent over a stupid ball game. After all, I told him, mother thinks I'm silly for taking all of it so seriously.

When he told me to call it like I saw it.

"But sometimes I feel silly."

"Why?"

"Because it isn't like I'm playing, daddy. Torry used to poke fun at me every time I would mention 'we won' or 'we lost'. She would actually ask me, 'how was it out on the field?'"

"Want to know something, my little miss chipper?"

"What?"

I looked into my father's loving face--the broadening smile, the first few hints of wrinkles beginning to form on his forehead, the mussy hair. At first, I was startled by the bemused expression on his face. A few minutes prior he had been just as worked up and depressed at the state of affairs at Turner Field. A few minutes prior he was arguing just as loudly at a few calls that hadn't gone our way. A few minutes prior he had half-jokingly announced that we were leaving. To see him do such a complete about face was somewhat startling.

"Never apologize for having pride in the Braves, in anything you feel a part of. Nothing makes me prouder than you sharing in your daddy's love of this no-good team of ours."

"Really?"

"Really."

"It just goes back to what I told you about people trying to tell you how to feel. Don't do it. If God didn't want you to be a Braves fan he wouldn't have sat you down in Georgia, now would He?"

"I suppose not," I laughed.

"Never stop being a fan. Never stop enjoying something larger than yourself. It's how you get through life."

I know he was just talking about baseball and being a fan of them, but I'd like to think he was speaking about something more than that. I'd like to believe he was talking about having convictions and sticking by them. I'd like to believe he was speaking about the idea of tradition and the idea of never abandoning them. I admit it, sometimes it's easier to cut bait on life when it doesn't seem headed your way. After all, people tell me all the time that it's healthy to take things to heart so much and so often. They tell me that I've got to let things go a bit more. They tell me to lighten up and move on. But that just ain't me. When I believe in something, I believe in it all the way. When I became a fan of some team or some restaurant or some movie, I become a fan for life. When I become friends with someone I become friends for life. I'd like to think it's this tenacity and all-encompassing passion for taking something to heart that has gotten me through life. That's why I continue to be a Braves fan, even though they've broken my heart more than once. Because my daddy's a Braves fan and my daddy's one of the most steadfast people I know. If the worst thing people can say about me is that I'm as stubborn as my daddy (or my mother, for that matter) than I'll consider my life a success.

I don't ever want to stop being a fan. I don't ever want to stop being passionate and feisty and altogether a burr in people's britches if the situation calls for it.

That's why I still bet on my Braves and my Bulldogs. Not necessarily because I think they can win every game they play.


I could leave but I won't go
it'd be easier I know


But, Hell's bells, I'll be damned if I ever admit that it's possible for them to lose.

"Don't worry, daddy, I'm always going to come to these games with you. Win or lose."

Breanne

Labels: , , ,

|

Sunday, April 01, 2007

But I Can't Live Forever, I Can't Always Breathe, One Day I'll Be Sand On A Beach By A Sea

--"Calendar Girl", Stars

I was talking with one of my friends today and she made some off-hand remark about how it's 2007 already and asked if I could still remember the things were important to me this time ten years ago. I thought about it and I started to remember a few--working at the bookstore, talking to Breanne, this close to graduating, breaking up with Tara. However, one thought stuck at me that it actually shocked me to remember. It was 1997 that my show, my favorite show of all time, Avonlea went off the air.

To this day, there have been shows I liked and even gotten involved deeply into, but nothing so earth-shattering as Avonlea. Even seeing pictures or hearing the damn theme song makes me well up because all I have are good memories of that show. From romanticizing the countryside, to the manner of the dress, and especially the way people conversed, I gleaned a lot of my personality and mannerisms from watching that show.

It really saddens me to think that it's been ten years since I watched a fresh episode and that it has become so pushed back in my thoughts when it occupied so many of them only a decade earlier. There was a time when everything I did had something to do with the show. I started writing poetry because I wanted to capture the feel of the period in a way reminescent of it. I started writing lengthier and lengthier stories because I had an idea for an episode and it just couldn't be done in a short story. I met Jina because we both once held a passion for it. I turned down going to NYU partly because it would have been more difficult to work my schedule around being able to watch the show. I dressed, talked, and started thinking along the same lines as people on the show. I was like an Avonlea zombie and I didn't mind because I recognized it for what it was, a quality program about a simpler and more idealized time.


the pages keep turning, I'll mark off each day with a cross
and I'll laugh about all that we've lost


I don't know--some people have religion to put their faith into. Some people have a cause or a charity that renews their spirit and makes them feel good about themselves. Some people have their friends or family to give meaning to their life. Some people have their jobs or hobbies to validate their life.

I had Avonlea.

Not having it and the slow diet of it from my thoughts has affected me for the worse, I think. It occupied a space that I never knew was vacant before. It gave me hope, happiness, and a reason to believe in the intangible things. I didn't have to imagine what bliss looked like. It looked like that small village on Prince Edward Island. I remember thinking while I was watching the show that if I could be half as content and fulfilled as the people on that show seemed to be, then I would have lived a full and rich life. The empty feeling, the dissatisfaction I occasionally falter through, has a lot to do with its leaving.

It's more than like a friend dying. Not having the show to console me and guide me is like a constant reminder that all good things come to an end and that I won't be around someday either. It was on the air for seven years... and now it's been off of the air for ten. It really starts me thinking how many more years I have before they pull the plug on me.

It was my religion and now I have nothing to really believe in.

Goddamn, I miss that show.

Yours Swimmingly,
mojo shivers

Labels: , , ,

|

Creative Commons License
california is a recipe for a black hole by E. Patrick Taroc is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.

Copyright© 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012 E. Patrick Taroc, Breanne Holins-Meier, and Toby Frisson - Some Rights Reserved